Fujinon XC 15-45mm F3.5-5.6 – первый объектив X с электронным зумом

Объектив Fujifilm XC 15-45mm F3.5-5.6 OIS PZ черный

Товар на центральном складе

Cамовывоз: 1 – 2 дня
Доставка: 2 – 4 дня
подробнее о доставке

Лучший отзыв

Достоинства: Резкость,боке, быстрый фокус

Недостатки: Светосила 6.7 на длинном конце

Купил на x-t10, без телевика сложно, на дорогой вариант денег нет. На Никоне работал с Тамроном и Сигмой 70-300 . Этот в.

Описание

FUJINON XC15-45mmF3.5-5.6 OIS PZ охватывает популярные эквивалентные фокусные расстояния от 23 до 69 мм, являясь самым компактным и легким сменным вариообъективом, совместимым с серией Х. Установите его на компактную, легкую, беззеркальную цифровую камеру Fujifilm, и вы получите камеру, которой удобно снимать и которую удобно носить с собой.

Уникальной особенностью XC 15-45mm является функция Power Zoom, которую оценят любители видео: она позволяет делать «наезд» от «отъезд» камеры гораздо более плавным. Трансфокация (зуммирование) осуществляется с помощью встроенных электромоторов, можно выбрать одну из 2 скоростей зуммирования: быстро или медленно. На совместимых камерах (таких как X-A5) трансфокацией можно также управлять с помощью диска на камере.

Другой особенностью объектива является складная конструкция: при выключении камеры объектив складывается внутрь себя для экономии места. В сложенном положении он примерно на 30% короче старого XC 16-50mm F3.5-5.6 OIS II. Также он приблизительно на 30% легче. На корпусе нет ни одной кнопки: складывается и раскладывается он автоматически, оптическая стабилизация и автофокусировка включаются и выключаются через меню фотоаппарата.

Оптическая схема по сравнению с XC 16-50mm была улучшена, добавлены 2 элемента из специального стекла со сверхнизкой дисперсией, что должно снизить уровень хроматических аберраций. Также используются 3 асферических линзы. По графикам MFT, которые доступны на сайте производителя, заметно, что XC 15-45mm резче в центральной части кадра, хотя ближе к краям XC 15-45 и XC 16-50 выходят на один уровень.

Для предотвращения смаза при фотосъемке с длинными выдержками, а также для сглаживания колебаний камеры при съемке видео в объективе присутствует оптический стабилизатор с эффективностью 3 ступени экспозиции (на совместимых камерах при съемке видео он может быть дополнен электронным).

Фокусировка у XC 15-45mm F3.5-5.6 OIS PZ внутренняя, плавная и практически бесшумная – благодаря шаговому фокусировочному мотору. Данный объектив позволяет фокусироваться с расстояния всего 5 см от передней кромки, обеспечивая увеличение 0.24х (почти 1:4). Это означает, что можно получить очень крупные планы, хотя это, конечно, и не «настоящее макро».

В целом, это очень неплохой объектив любительского уровня: с очень широким полем зрения в широкоугольном положении, с хорошими возможностями в съемке крупным планом, с плавной фокусировкой и трансфокацией при съемке видео. К тому же, это самый компактный из зум-объективов Fujifilm на момент выпуска – с ним камера может вполне поместиться в карман пиджака или куртки. Качество изображения – лучше, чем у старого XC 16-50mm, хотя до более дорогих зумов серии XF ему, конечно, далеко. Тем не менее, это отличный вариант для повседневной съемки: легкий и удобный. Объектив выпускается в 2 цветах: черном и серебристом.

Fujifilm XC 15-45mm F3.5-5.6 OIS PZ Review

Fujifilm XC 15-45mm F3.5-5.6 OIS PZ Introduction

Fujifilm has launched a new lens in the compact shape of the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ. This is the smallest and lightest zoom lens available for the Fujifilm X-Series cameras. It is primarily available as a kit lens with an entry-level camera like the Fujifilm X-A5, though of course it can be purchased separately.

With a zoom range of 23-69mm (full-frame equivalent), the lens is slightly wider than most kit lenses. It should cover general scenarios, especially landscape and portrait photography.

Interestingly, the lens features an electronic zoom only, which the company says helps keep the overall size down. In theory an electronic zoom will give a consistent and smoother zoom motion than a manual one, which is particularly ideal for video work. However, there is a risk that it will be harder to make minor and precise zoom adjustments.

The Fujinon XC 15-45mm f/3.5-5.6 OIS PZ lens is available now in a choice of black or silver, with an RRP of £259. However, we expect most people will get this lens as part of a kit with a camera, like the new Fujifilm X-A5.

Ease of Use

The clear selling point of the new Fujinon XC 15-45mm f/3.5-5.6 OIS PZ lens is just how small and light it is. Firstly, it is exceptionally light, weighing a mere 135g. Yet it is also the smallest, measuring 44.2mm when collapsed and up to 65.2mm when in use (at the wide setting).

Being so small and light, the new kit lens is a perfect match for the new entry-level Fujifilm X-A5, which is the camera that we have used to test the lens.

Now there are reasons as to why the lens is so light, not least of which is the plastic barrel. The lens mount is plastic too. This is not a lens to throw around and it certainly isn’t weather-sealed. (Not that we would expect such a thing from a lens like this.)

Design wise, the Fujifilm XC 15-45mm F3.5-5.6 OIS PZ lens is about as simple as it gets. You have the 15-45 focal length marking on the top, a focus ring and an electronic zoom ring. That’s it. No buttons, no switches. There is a similar feel here to the Fujifilm XC 50-230mm f/4.5-6.7 IS II lens that we reviewed last year.

The slender manual focus ring is at the very front of the lens and by camera default moves from near to far focusing in a clockwise rotation. There is little resistance from the focus ring, meaning it is easy to make severe manual adjustments quickly, though possible not smoothly.

There is the option in a Fujifilm X-Series camera to display the focus distance scale for quick reference. It’s super useful and not many brands do this, so kudos to Fuji.

Directly next to the focus ring is the electronic zoom ring which is about twice the size. It handles ok, with a certain level of response as to how firmly the ring is being rotated. Fuji says there are two zoom speeds available, with each one performing at a consistent speed.

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With a hard and quick turn of the zoom ring the zoom motion is of course fast. For a fast zoom the motor is a little noisy and you’ll certainly pick up the sound in videos.

A slower rotation makes for a slow zoom, which is better for videos because the motor is dampened and much quieter.

For photography, we found it harder to make precise zoom adjustments with an electronic zoom like this one, often fiddling back and forth to compose a scene just right.

There are other kit lenses available for mirrorless cameras (in general) that offer the choice between electronic and manual zooms. You could say that a manual zoom is easier to use for photography and an electronic zoom better for video.

We’d like simple markings on the lens as a visual reminder to know which way to rotate the zoom ring. Even after becoming familiar with the lens, we regularly rotated the lens in wrong direction at the first time of asking.

As for autofocus, the Fujifilm XC 15-45mm F3.5-5.6 OIS PZ lens uses a stepping motor to drive the focusing elements. Autofocus certainly is very quiet and will not distract in videowork or announce your presence to those around you.

Focusing is quick too, although of course AF speed is affected by the camera’s AF system, the AF mode in use and the amount of available light.

With no switches on the lens barrel, you’ll need to swap between AF modes and manual focus through the camera menu, or depending on the camera via the front switch or live view display. Menu selection is a tedious step to go through, though the focus mode can be changed via live view display when using the X-A5, which is really neat.

Image stabilisation is built-in to the lens (OIS) with what Fujifilm claims is 3 f-stops (EV) of effective stabilisation. Now you’ll remember the lens does not have any switches or buttons on it, which means optical image stabilisation is also controlled in-camera.

Last thing to mention here is that the lens thread accepts optional 52mm filters. Of course no filter is included with the Fujifilm XC 15-45mm F3.5-5.6 OIS PZ lens, plus you won’t find a lens hood in the box.

Focal Range

At the 15mm focal length (23mm full-frame equivalent) the angle of view is 86.9 degrees. That’s wider than most kit lenses.

Field of view at 15mm

At the 45mm focal length (69mm full-frame equivalent) the angle of view is 35.0 degrees.

Field of view at 45mm

Chromatic Aberrations

Of all lens distortion, we would expect chromatic aberrations to be the most obvious in the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ lens.

Chromatic aberrations are typically seen on high-contrast edges as magenta, blue or green fringing. You’re most likely to see this in the corners of a picture along details such as building edges and tree branches.

Generally, fringing is dealt with during JPEG processing. You won’t see it as strongly in JPEGs as un-procesed RAWs. When shooting in RAW format, fringing can be corrected in more severe amounts using editing software.

The problem is when fringing is severe enough that it is evident in JPEG images – that is harder to correct.

Thankfully, there are no such problems with the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ lens. Fringing is very well controlled. When pixel peeping (viewing at 100%), we found just a few JPEG images that had fringing in the corners – usually blue fringing.

It is still worth shooting in RAW format when capturing scenes where there is plenty of high contrast.

Distortion

With the Fujifilm XC 15-45mm F3.5-5.6 OIS PZ lens set to its widest focal length of 15mm and maximum aperture available at this point (f/3.5), it’s possible to see pronounced light fall-off (shading/ vignetting) in the very corners of the image. It is slight.

In fact, at the 15mm focal length, vignetting remains similar at all apertures from f/4 and up. In real world images you are unlikely to observe vignetting.

When shooting at the 45mm telephoto setting, the maximum aperture is f/5.6. Light fall-off is virtually non-existent at any aperture, when the lens is set to 45mm.

We’ve also taken pictures of a brick wall to check over lens distortion. Our expectations prior to this test would be slight barrel distortion at the 15mm focal length, while there should not be any barrel or pincushion distortion at the 45mm focal length. Our educated predictions were spot on.

Barrel distortion is not really corrected in JPEG images, but can easily be corrected post capture in RAW images. The same can be said for light fall-off. In short, there are no real issues with lens distortions.

Distortion at 15mm

Distortion at 45mm

Light Fall-off

Shooting at the widest point of the Fujifilm XC 15-45mm F3.5-5.6 OIS PZ lens at 15mm, it’s possible to see an almost unnoticeable amount of light drop off in the outermost corners of the image at f/3.5 (the widest aperture). The effect is almost impossible to see from f/4.0 onwards.

The other focal lengths have different maximum apertures. At 45mm, the maximum aperture is f/5.6. At this focal length and aperture combination, light drop-off is imperceptible. Remember that this test uses a white wall which would make any light drop-off very obvious – so for normal subjects you’re certainly not going to see any problems.

Vignetting is ever so slightly more pronounced at the widest apertures when shooting in raw format (as images haven’t had any lens correction applied to them in this state) – but again it’s almost impossible to see when shooting the white wall, so it’s definitely likely to be non-existent for normal subjects.

Light Fall-off at 15mm

Light Fall-off at 45mm

Macro

The Fujifilm XC 15-45mm F3.5-5.6 OIS PZ lens offers a minimum focusing distance of 13cm when at its widest 15mm focal length. When set to its telephoto setting of 45mm, the minimum focus distance is 35cm.

A maximum magnification of 0.24x is hardly macro friendly – that’s a 1/4 life-size reproduction scale.

The following example images shot at 15mm and 45mm demonstrates how close you can get to your subject, in this case a Compact Flash memory card.

Close-up performance

Bokeh

Bokeh is a word used for the out-of-focus areas of a photograph, and is usually described in qualitative terms, such as smooth / creamy / harsh etc.

In the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ lens, Fuji has employed an iris diaphragm with 7 blades, which results in a fairly unspectacular bokeh.

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The wider the aperture, the larger the out-of-focus areas become and the more rounded they are. Close the aperture and the diaphragm blades can be seen a little more, like a heptagon. For a more pleasant looking bokeh, shooting with a wider aperture is best.

45mm @ f/5.6
45mm @ f/8
45mm @ f/11
45mm @ f/16
45mm @ f22

Sharpness

In order to show you how sharp this lens is, we are providing 100% crops on the following pages.

Анонсированы Fujifilm X-A5 и Fujinon XC 15-45mm f/3.5-5.6 OIS PZ

Fujifilm представила камеру Fujifilm X-A5 и объективе Fujinon XC 15-45mm f/3.5-5.6 OIS PZ. Таким образом, при подготовке к выставке CP+ в Японии компания планирует заполнить разные сегменты своих линеек.

Fujifilm X-A5

– матрица разрешением 24,2 мегапикселей;
– чувствительность в стандартном режиме ISO: от 200 до 12800, в расширенном: от 100 до 51200;
– габариты камеры: 116,9×67,7×40,4 мм;
– вес: 311 г;
– максимальное разрешение видео: 4K 3840×2160 в прогрессивной развертке (не более 5 минут) c частотой 15 к/с, 14 минут в FHD (60, 50, 24, 23,98 к/с), 27 минут в HD (60, 50, 24, 23,98 к/с);
– наличие протоколов Wi-Fi и Bluetooth для соединения с камерой в режиме управления и передачи данных;
– прочие спецификации идентичны X-A3;
– камера будет доступна в трёх цветах, серебристом, коричневом, розовом.

Понятно, что возможность съемки 4К этой камерой носит исключительно рекламный, а не практический характер, поскольку снимать его с зявленной частостой 15 к/с – нонсенс.

Объектив Fujinon XC 15-45mm f/3.5.5.6 OIS PZ

– оптическая схема: 10 элементов в 9 группах, включая три асферических элемента и 2 элемента со сверхнизкой дисперсией;
– минимальная дистанция фокусировки: 13 см (широкоугольное положение), 35 см (телефото);
– максимальное увеличение х0.24 (в широкоугольном положении);
– 7 лепестковая скругленная диафрагма;
– посадочная резьба светофильтров: 52 мм;
– габариты: диаметр – 62,6 мм, длина – 44,2 мм в сложенном виде, 65,2 мм – в широкоугольном положении, 62,1 мм – в режиме телефото;
– вес: 135 г;
– в двух цветах: чёрномом и серебристом.

Новая камера X-A5 в комплекте с новым зумом Fujinon XC 15-45mm позиционируется как самый легкий Kit в серии “Х” – всего 496 г.
Стоимость Fujifilm X-A5 + Fujinon XC 15-45mm составит 40 тыс. р., а отдельно объектива Fujinon XC 15-45mm – 20 тыс. р.
Продажи должны начаться уже в конце текущего месяца. ____________________________________________________________________________________

Помимо Fujifilm X-H1, о которой мы уже писали, вполне возможно, появится еще одна камера из доступного сегмента – Fujifilm X-A20.
Её предварительные характеристики:
– матрица разрешением 16,3 мегапикселя;
– габариты: 116,9×67,4×40,4 мм;
– вес: 299 г;
– наличие интерфейса Wi-Fi для передачи данных в режиме управления и скачивания фотографий;
– прочие спецификации идентичны X – A10;
– доступные цвета корпуса: серебристый, коричневый, салатовый.

XC15-45mm F3.5-5.6 OIS PZ

XC15-45mm F3.5-5.6 OIS PZ

Серьезные камеры для профессиональных фотографов. Линейка профессиональных цифровых камер x-серии от Fujifilm.

Серьезные камеры для профессиональных фотографов. Линейка профессиональных цифровых камер x-серии от Fujifilm.

Серьезные камеры для профессиональных фотографов. Линейка профессиональных цифровых камер x-серии от Fujifilm.

Особенность Самый компактный и легкий (135 г) вариообъектив

Самый компактный и легкий сменный вариообъектив для беззеркальных цифровых камер серии Х

Комбинация из 10 линз в 9 группах, включая три асферические линзы и два линзы из стекла ED, обеспечивает превосходное разрешение во всех положениях зума при длине всего 44,2 мм * и весе всего 135 г.

Охватывает популярные фокусные расстояния

Этот новый объектив охватывает популярные ЭФР от 23 до 69 мм, подходя, таким образом, для съемки и пейзажей, и портретов. Благодаря широкоугольной установке с эквивалентным фокусным расстоянием 23 мм этот объектив в комбинации с камерой с поворачивающимся на 180° дисплеем, такой как FUJIFILM X-A5, подходит для съемки автопортретов с несколькими людьми или фонами.

Зум с электроприводом и удобство пользования

Своей компактностью этот убирающийся объектив обязан зуму с электроприводом. При включении камеры объектив автоматически выдвигается в положение готовности к съемке.

Вращением кольца зума можно установить две разных скорости. Объектив движется с постоянной скоростью, обеспечивая плавность движения при видеосъемке.

Оптическая стабилизация изображения

Зум с электроприводом включает технологию оптической стабилизации изображения с 3.0 ступенями, по замерам CIPA, которая помогает фотографам при съемке при низкой освещенности.

Быстрый и бесшумный автофокус

Внутренняя система автофокусировки с шаговым электромотором перемещает легкие фокусировочные элементы, обеспечивая быструю и бесшумную автофокусировку.

Fujifilm 15-45mm

XC f/3.5-5.6 OIS Power Zoom

Fujifilm XC 15-45mm f/3.5-5.6 OIS PZ, collapsed (black version; also comes in silver, 52mm filters, 4.6 oz./131g, 0.42 feet (5.1″ or 0.13 meters) close focus at 15mm setting and 1.15 feet (13.8″ or 0.35 meters) close focus at 45mm setting, $299 new or about $160 used if you know How to Win at eBay). bigger or fill-screen. I’d get mine at Adorama, at Amazon or at B&H, or used at eBay. You can get it in black or in silver at any of those links by clicking the option.

This all-content, junk-free website’s biggest source of support is when you use those or any of these links to approved sources when you get anything, regardless of the country in which you live. Thanks for helping me help you! Ken.

Sample Images

These are just snapshots and there are many more throughout the review; my real work is in my Gallery.

These are all shot as NORMAL JPGs; no FINE JPGs or raw files were used or needed. Raw files are for those who can’t shoot it right in the first place, but suit yourself.

Kona Ice Truck at the Park at Night, 09 August 2019, 8:45 PM. Fujifilm X-E3, Fujifilm XC 15-45mm at 15mm at f/3.4 hand-held at 1/45 at Auto ISO 5,000 (LV 3.5), Perfectly Clear. bigger or camera-original В© file.

2008 Ford Mustang Shelby GT-C, 11 August 2019, 10:42 AM. Fujifilm X-E3, Fujifilm XC 15-45mm at 45mm at f/8 at 1/1,700 at Auto ISO 400 (LV 14¾), as shot. bigger or camera-original В© file.

Provencal tablecloth, 11 August 2019,11:23 AM. Fujifilm X-E3, Fujifilm XC 15-45mm at 45mm at f/5.6 at 1/600 at ISO 200 (LV 13⅓), 100% dynamic range, as shot. bigger or camera-original В© file.

Orange Path, 11 August 2019, 6:51 PM. Fujifilm X-E3, Fujifilm XC 15-45mm at 15mm at f/3.5 hand-held at 1/20 at Auto ISO 320 (LV 6.4), as shot. bigger, or camera-original В© file.

La Virgen de Guadalupe, 11 August 2019, 7:07 PM. Fujifilm X-E3, Fujifilm XC 15-45mm at 19mm at f/5.6 at 1/40 at Auto ISO 200 (LV 8⅓), 100% dynamic range, Perfectly Clear. bigger or camera-original В© file.

MГ©xican Lights, Solana Beach, 11 August 2019, 7:18 PM. Fujifilm X-E3, Fujifilm XC 15-45mm at 45mm at f/5.6 hand-held at 1/8 of a seconds at Auto ISO 2,000 (LV 3⅔), Perfectly Clear. bigger, full-resolution or camera-original В© file.

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The ectoplasm along the top is a spinning fan blade.

White Flight, 12 August 2019, 11:14 AM. Fujifilm X-E3, Fujifilm XC 15-45mm at 45mm at f/5.6 hand-held at 1/30 at Auto ISO 800 (LV 7), Perfectly Clear. bigger or camera-original В© file.

Seven Palms, California Desert, 17 August 2019, 6:54 PM. Fujifilm X-E3, Fujifilm XC 15-45mm at 29mm at f/5.6 at 1/400 at Auto ISO 200 (LV 12⅔), 100% dynamic range, as shot. bigger or camera-original В© file.

Tampico Market, California Desert, 18 August 2019, 2:23 PM. Fujifilm X-E3, Fujifilm XC 15-45mm at 15mm, -⅔ stop exposure compensation, f/3.5 at 1/90 at Auto ISO 400 (LV 8⅙), Perfectly Clear. bigger, full-resolution or camera-original В© file.

To control the dynamic range between the neon signs and the dark shadows I shot with -⅔ stop exposure compensation to make it a bit darker to hold the highlights (as you can see in the camera-original В© file), and then I used Perfectly Clear which I knew would bring up just the dark shadows and midtones without blowing-out the highlights. This is much better than lowering the overall contrast; this preserves full contrast everywhere while taming the lighting range. I saw all this in my head before I shot, and of course I shot this as a NORMAL JPG; amateurs tend not to realize that you can do all the same dynamic, exposure and white balance processing on JPGs exactly the same way you can with clumsy raw files.

Andalusian Palm and Tile Mansion, EspaГ±a, 20 August 2019, 8:04 AM. Fujifilm X-E3, Fujifilm XC 15-45mm at 15mm, -⅔ stop exposure compensation, f/5.6 at 1/1,700 at Auto ISO 400 (LV 13¾), Perfectly Clear. bigger, full-resolution or camera-original В© file.

I realized that so long as I held the highlights in my camera-original В© JPG file that Perfectly Clear would let me see all the way into the deepest shadows, with no need for old-fashioned multi-shot tripod-mounted HDR. I added some color to the Fuji’s typically drab colors (even though I always shoot my Fuji cameras at +4 color saturation) in Photoshop CS6. The rest of these shots are as the colors came from the X-E3; in this shot of the Palm Mansion I wanted to let you all see the warm morning sunlight draping across this fine Spanish home.

Andalusian Palm Mansion at Dusk, 20 August 2019, 8:06 PM. Fujifilm X-E3, Fujifilm XC 15-45mm at 15mm at f/8 for 30 seconds at ISO 200 (LV 0), 100% dynamic range, Perfectly Clear. bigger, full-resolution or camera-original В© file.

The tops of the trees were blowing around in this time exposure and are supposed to be blurry.

Introduction

I buy only from these approved sources. I can’t vouch for ads below.

As my sample images show, this tiny, inexpensive and stabilized all-plastic lens has excellent optics. I snapped these photos in less than a week-and-a-half of casual shooting. This 15-45 uses an exceptionally large rear element to contribute to its corner-to-corner sharpness. (The glass is glass, not plastic.)

I’ve had no problem licensing images made with plastic kit lenses like this to major clients for thousands of dollars each. If you can’t produce great results with this great little lens, the problem isn’t this lens. Lenses are artists tools, exactly like painter’s brushes or musical instruments. You have to be an artist to make art; the tools alone don’t create anything except more debt.

It’s a Power Zoom (PZ), just like Sony’s very similar 16-50mm PZ, with a motor to zoom the lens. You control the motor either the regular way with the front ring, or just turn and hold the rear ring in either direction for the lens to motor in or out at either of two speeds, perfect for smooth movie zooms.

It’s super-sharp, as sharp as my older XF 18-55mm f/2.8-4, and focusses fast and super-close.

This is a perfect lens for small, light cameras that can take huge, sharp pictures. It’s a fraction of the size, weight and price — and this PZ lens goes much wider than any of the 18-xx zooms! Pair it with the equally excellent, lightweight and inexpensive XC 50-230mm and you’re prepared for everything.

This 15-45mm collapses automatically as you see here when the camera goes to sleep or you turn it off. It automatically extends about an extra 0.8″ (20mm) when you turn the camera on, and it extends as quickly as the camera turns on so there’s no waiting.

I’d get my Fuji 15-45mm at Adorama, at Amazon or at B&H, or get it used if you know How to Win at eBay. You can get it in black or in silver at any of these links.

Fuji’s first tiny plastic Power Zoom for their X-mount cameras.

Smallest and lightest X-mount lens.

You can zoom it with the tip of your pinky as you shoot with one hand!

Excellent sharpness and distortion control.

Much wider than every other 18-xx mm zoom.

Super-close macro ability.

Optical Image Stabilization.

Two zoom rings, one of which becomes the manual focus ring in Manual Focus.

Tiny, weightless and inexpensive.

A tiny, inexpensive lens that makes unforgettable pictures.

Offshored to The Philippines ; not made domestically in Japan.

Missing

No aperture ring, but two zoom rings!

No hood or case included.

No OIS switch.

No in-camera Lens Modulation Optimizer, but doens’t need it either.

No high price.

No weight.

No problems.

Nothing but clear, sharp colorful pictures!

Specifications

I’d get my Fuji 15-45mm at Adorama, at Amazon or at B&H, or get it used if you know How to Win at eBay. You can get it in black or in silver at any of these links.

Fujifilm calls this the Fujinon Aspherical Super EBC XC 15-45mm f/3.5-5.6 OIS PZ:

Fujinon is Fujifilm’s brand name for their lenses.

Aspherical means it uses aspherically-shaped lens elements for sharper pictures.

Super EBC is Fujinon’s brand of multicoating, standing for Super Electron-Beam Coated.

XC is Fuji’s line of optically excellent but inexpensive plastic-barreled lenses for their X-mount cameras.

PZ means Power Zoom; it zooms with a tiny internal motor.

∅52 means it takes standard 52 mm filters.

Fujifilm also calls it model number XC15-45mmF3.5-5.6 OIS PZ.

Optics

Fujinon 15-45mm internal optical construction. Aspherical and ED elements.

10 elements in 9 groups.

2 ED extra-low dispersion elements, which help reduce secondary axial chromatic aberration.

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